Humans in the loop
Reflective Note: Patterns of Power and Morality
Ethical Positions
The infographic uses colour coding to classify characters into ethical positions: green for idealists, yellow for pragmatists, and red for the corrupt. Raghav represents idealism but remains institutionally weak, while Gopal and Aarti occupy morally compromised positions shaped by survival and security. Political figures dominate the red zone, showing how corruption is normalized at the top.
Institutional Power
Arrows of influence reveal that power flows primarily from politics into education and media. Education appears as a commercialized institution, while media functions as a fragile space of resistance constantly threatened by political pressure.
Relationships and Conflict
Relational arrows show how personal relationships intersect with ethical choices. The love triangle is inseparable from moral compromise and ideological conflict.
Emerging Pattern
The map suggests that morality is flexible and situational, whereas power is centralized, systemic, and resistant to ethical challenge.
Activity 2: Cover Page Critique of Revolution Twenty20
1. Expectations about Revolution
The cover immediately foregrounds the idea of “revolution” through the bold, capitalised white typography of the title REVOLUTION TWENTY20. This visual dominance creates an expectation of large-scale social or political upheaval within contemporary India. However, the intensity of this promise is diluted by the pink and magenta watercolour background, which softens the radical force usually associated with revolution. Rather than signalling violent or ideological rupture, the colour palette suggests a more emotional, individualised, and even commodified form of change. The suffix “2020” anchors the narrative firmly in the modern moment, implying a revolution shaped by present-day youth culture, rapid urbanisation, and aspirational pressures rather than collective political struggle.
2. Expectations about Youth
Youth is clearly positioned as both the subject and the target audience of the novel. The silhouettes of three young figures dominate the visual field, immediately marking the story as one about young Indians navigating ambition, love, and competition. The couple on the right evokes romance and emotional fulfilment, while the solitary figure on the left suggests alienation and struggle. Casual clothing and relaxed postures reinforce relatability, indicating that the narrative mirrors the everyday experiences of students and young professionals. The cover thus promises a story that captures youthful desire, anxiety, and vulnerability rather than heroic rebellion.
3. Expectations about Marketability
Marketability is strongly emphasised through branding strategies. The author’s name, “CHETAN BHAGAT,” appears prominently at the top, signalling that the author’s celebrity status is a key selling point. The subtitle—“LOVE. CORRUPTION. AMBITION.”—functions as a concise marketing hook, compressing multiple genres into three striking keywords. This formulaic clarity aligns with popular fiction strategies designed to appeal to a broad, middle-class readership seeking entertainment combined with social relevance.
4. Typography, Colour, and Symbolism in Popular Literature
The clean, sans-serif typography ensures easy readability, reflecting popular literature’s emphasis on accessibility and minimal reader effort. The contrast between vibrant magenta and the black silhouette of the Varanasi skyline grounds the narrative in a recognisable Indian setting. Symbolic elements such as the boat on the river subtly suggest personal journeys and emotional movement, reinforcing the novel’s romantic core.

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