Lab Session: Digital Humanities
As part of our Digital Humanities lab session, we have been given a set of activities to explore and reflect upon. This blog is written in response to that exercise, which has been assigned by Dr. Dilip Barad Sir to enhance our academic learning and provide us with practical experience in the subject.
Here are a few links that will help you gain deeper insight into the topic and broaden your understanding. You can access them here. Click Here.
1. Understand how once we used to debate on if machines can write poems.
Exploring 19th-Century Fictional Speech: Insights from Jane Austen and the 19C Corpus
The study of fictional dialogue in 19th-century literature provides fascinating insights into social etiquette, politeness strategies, and narrative conventions. Using the CLiC (Corpus of Literary English) tool, I explored speech clusters in 19th-century novels, compared them to Jane Austen’s works, and examined how character dialogue differs from the narrator’s voice. Through Activities 17.1 to 17.5, I observed patterns of wording, repetition, and stylistic choices that shape fictional conversations, gaining a deeper understanding of how dialogue reflects social interaction and literary style.
Activity 17.1: Speech in the 19th-Century Reference Corpus (19C)
In this activity, I focused on the 15 most frequent speech clusters in the 19C corpus, which contains 29 novels from the 19th century. The aim was to understand the conventions of fictional dialogue and how characters communicated emotions, navigated social hierarchies, and maintained politeness. The analysis revealed recurring patterns that reflected the stylistic and social norms of the period.
Categories and Key Clusters:
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Expressing Curiosity or Inquiry
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Clusters: i should like to know, what do you think of, what is to be done, what am i to do
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Function: Questioning / Seeking Advice / Curiosity
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Context: Used when characters seek knowledge, guidance, or advice, often showing uncertainty or curiosity.
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Expressing Desire, Intention, or Request
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Clusters: i should like to see, i want to speak to, i should like to have, i have a right to
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Function: Polite Requests / Expression of Desire / Asserting Rights
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Context: Indicates wants or intentions; softened commands reflect societal politeness.
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Time and Measurement References
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Cluster: a quarter of an hour
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Function: Timekeeping / Narrative Structuring
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Context: Marks temporal precision in narrative events or daily activities.
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Refusing or Denying
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Cluster: i am not going to
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Function: Refusal / Assertion of Will
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Context: Shows defiance or determination, reflecting agency against social pressure.
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Speculative or Evaluative Statements
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Clusters: it seems to me that, as well as i do
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Function: Opinion / Speculation / Comparison
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Context: Expresses opinions, judgments, or comparisons; reflects polite hedging.
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Apology and Politeness Markers
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Cluster: i am sorry to say
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Function: Apology / Politeness Strategy
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Context: Introduces bad news or criticism politely.
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Reassurance and Encouragement
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Cluster: i am sure you will
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Function: Encouragement / Persuasion
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Context: Used in persuasive, reassuring, or encouraging dialogues.
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Activity 17.2: Comparing “It seems to me that” Then and Now
This activity compared the cluster “it seems to me that” in 19C novels and in modern spoken English using the British National Corpus (BNC). The comparison highlighted how opinion markers function similarly across time but differ in form and style.
Observations:
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Similarities:
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Both serve as hedging devices to present opinions cautiously.
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Softens statements for politeness and diplomacy.
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Reflects subjectivity rather than assertion of fact.
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Differences:
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Literary 19C usage: long, complete, polished sentences.
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Modern BNC usage: includes fillers, repetitions, and interruptions.
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Stylistic purpose: novels use it for characterisation; in speech, it buys thinking time or avoids confrontation.
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Activity 17.3: Speech in Jane Austen’s Novels
I examined the most frequent clusters in Austen’s character quotations and compared them to the broader 19C corpus. This allowed me to see how Austen’s dialogue reflects broader social conventions while also demonstrating her distinct style.
Key Insights:
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Overlap:
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Clusters like I do not know what and I am sure you will appear in both corpora.
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Distinctive Features:
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19C corpus: clusters for requests, opinions, and narrative time markers.
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Austen: clusters emphasizing social negotiation, politeness, hedging, and irony.
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Contexts of Use:
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19C novels: broader everyday life contexts, supporting plot and moral reflection.
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Austen: socially nuanced, highlighting relational negotiation and conversational subtlety.
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Activity 17.4: The Speech of Austen’s Characters
This activity focused on how specific clusters function differently in character speech compared to the general 19C corpus.
Observations:
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In the general corpus, I do not know what expresses uncertainty or rhetorical flourish.
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In Austen’s novels, it often appears in polite social negotiation, irony, or playful commentary.
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Example: “I do not know what your opinion may be, Mrs. Weston” (Emma).
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Functions in Austen: politeness, irony, social negotiation.
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Comparison: Austen sharpens generic clusters into socially nuanced tools, unlike the wider, more generic usage in other 19C fiction.
Activity 17.5: Speech of Austen Characters vs. Austen’s Narrator
Comparing character speech and narration in Austen’s novels highlighted how she differentiates voices.
Observations:
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Character speech: direct, conversational, uses clusters like what do you think of; reflects dialogue, gossip, persuasion.
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Narration: formal, expository, syntactically elaborate; clusters structure the narrative rather than mimic conversation.
Experience of Using CLiC and Learning Outcomes
Working with CLiC was highly insightful. It allowed me to explore frequency, context, and patterns of speech clusters across different corpora, providing a quantitative and qualitative perspective on fictional dialogue. Observing clusters in both character quotations and narration helped me appreciate how authors like Austen carefully modulate language to distinguish voices.
Learning Outcomes:
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Gained practical experience in corpus-based literary analysis.
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Understood the social and historical dimensions of 19th-century speech.
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Learned how fiction polishes speech differently from real conversation.
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Developed insight into how linguistic patterns convey politeness, agency, hedging, and irony.
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Observed diachronic changes in English speech from Victorian novels to contemporary English.
Concluding Reflection
Voyant Activity :Jude the obscure
Methodology
I uploaded the full text of Jude the Obscure into Voyant Tools to explore Thomas Hardy’s language and narrative style. The platform generated multiple visualizations, including a word cloud, frequency list, trends graph, as well as advanced tools like StreamGraph, TermsBerry, Mandala, Knotes, DreamScape, and Cirrus. These features provided both a broad overview of recurring words and themes and a detailed, interactive exploration of patterns, relationships, and contextual usages within the novel. By examining these visualizations, I could trace key motifs, character emphasis, and stylistic tendencies throughout the text, gaining a richer understanding of Hardy’s literary techniques.
Learning Outcomes
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Gained practical experience using digital humanities tools like Voyant for literary analysis.
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Learned to visualize and track word frequency and thematic patterns across the text.
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Understood character prominence and the flow of recurring motifs using visualizations like StreamGraph and Cirrus.
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Explored relationships between words and ideas through tools like TermsBerry, Knotes, and DreamScape.
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Observed how Hardy emphasizes themes of social constraint, personal aspiration, and relationships throughout the novel.
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Learned to combine quantitative data (word counts, clusters) with qualitative interpretation for deeper textual insights.
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Appreciated the ability of digital tools to reveal patterns and structures not easily visible in traditional close reading.
References
Barad, Dilip. “What If Machines Write Poems.” What If Machines Write Poems, 1 Jan. 1970, blog.dilipbarad.com/2017/03/what-if-machines-write-poems.html. Accessed 30 Sept. 2025.







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